Favorite Sentence: Vladimir Nabokov's Pale Fire

" 'Speaking of novels,' I said, 'you remember we decided once, you, your husband and I, that Proust's rough masterpiece was a huge, ghoulish fairy tale, an asparagus dream, totally unconnected with any possible people in any historical France, a sexual travestissement and a colossal farce, the vocabulary of genius and its poetry, but no more, impossibly rude hostesses, please let me speak, and even ruder guests, mechanical Dostoevskian rows and Tolstoian nuances of snobbishness repeated and expanded to an unsufferable length, adorable seascapes, melting avenues, no, do not interrupt me, light and shade effects rivaling those of the greatest English poets, a flora of metaphors, described--by Cocteau, I think--as 'a mirage of suspended gardens,' and, I have not yet finished, an absurd, rubber-and-wire romance between a blond young blackguard (the fictitious Marcel), and an improbable jeune fille who has a pasted-on bosom, Vronski's (and Lyovin's) thick neck, and a cupid's buttocks for cheeks; but--and now let me finish sweetly--we were wrong, Sybil, we were wrong in denying our little beau tenebreux the capacity of evoking 'human interest': it is there, it is there--maybe a rather eighteenth-centuryish, or even seventeenth-centuryish, brand, but it is there.' " (pages 161 - 162)